This is another Throwback Thursday post. My
next house, after the RGT Bungalow, was the Fairfield by
Greenleaf. It seems to be a rite of passage for all
half-scale builders, and I really liked the L-shaped layout of the house. However (and I know this is heresy), I did
not enjoy building it. The wood was poor
quality and rough; pieces had to be punched out of stamped sheets; slots and
tabs didn't align, requiring much filing, trimming and sanding; and there were
warpage issues. Honestly, if this had
been the first house I built, it would also have been my last.
Nevertheless,
I persevered, and, in the end, I had a house that didn't turn out too badly. In
many ways, it was never truly finished, though. I think I was so frustrated by some aspects of it that my heart wasn't really in it (plus, I was very anxious to get to my next project). As I've been putting together this tour, I've been seeing things I'd
like to redo, fix, or complete, and I've been making a list.
I
did buy the upgrade kit for the
windows and doors, which I think was a great improvement. I also added a stairway from the first to the
second floor; turned the porch roof into a balcony, which included swapping out
a window for a door; and closed off the second exterior door from the kitchen
to give me more wall space.
Someday,
I intend to put steps down from the kitchen to a little kitchen garden, with
chickens pecking happily in it.
I
think the kitchen was my favorite room to do.
Its era is probably a little older than the era of the house, but I had
been having fun studying Victorian kitchens, and really wanted
to reproduce the feel.
This
adorable dry sink is made from a kit by AlphaStamps. Unfortunately, I don't think they sell it
anymore. All of their kits are
chipboard, so I veneered it with wood scrapbook paper, painted the sink, and
added some little "hinges" (the doors don't work) made from painted
heavy-duty aluminum foil. The pump is a
Phoenix Models kit. The wash tub was
made from cardstock and thread, and the soap bubbles are clear microbeads.
The
veneering worked so well that I built my own little ice box from mat board and
veneered it. Only the top piece and legs
are solid wood. Again, the doors don't
open, but I made little hinges and latches from painted aluminum foil and wire,
and there are ice tongs made from wire and a tube bead hanging on the side.
Cupboards
were uncommon in Victorian times, so I added shelves and a set of hooks for
hanging pots and utensils. (In the most
recent picture, you can see that I have trimmed the shelves with laser lace from Stewart Dollhouse
Creations.) I made the little coffee grinder and box grater
myself; the meat grinder is a charm I found on eBay. Its handle really cranks.
Below
you can see a close-up of the coffee grinder and a little flat iron I made from
mat board, wire and a tube bead. Because
there was no way I could write "Coffee" that small, I used a freezer-paper
transfer technique to stencil the "Coffee" onto the
front.
The
stove is a die-cast pencil
sharpener
(painted) with a thick bendy straw for the stove pipe and a washer for the wall
flange.
I'd
love to add a braided rug someday.
That's an item on the to-do list.
The
dining room has more Bradbury & Bradbury wallpaper and an Eastlake dining
room table
and chairs from Mini-Etchers
kits. Although it's a little hard to
see, the painting on the back wall is a real painting by MikeUK (for those
familiar with his work on Greenleaf).
The
rug was taken from this pattern that I found on
the Web and painstakingly graphed in Word.
I got rid of the border and changed the background to blue to work
better in my dining room. It is worked
on 36-count Evenweave.
On
the mantel are plates I picked up at the Good Sam show and a metal clock I
painted. There is really not much I
would change in this room.
Both
the dining room and living room have openings for fireplaces. Inspired by this post, I decided to try
to make my own Victorian mantels.
Although
they ended up being a little different than my original design, they were
constructed from mat board, strip wood, resin roses, silver branch charms, a
rubber gasket, some bead-like chain, cardstock cut with a craft punch, and
metal jewelry plaques. They don't look
very impressive pre-paint, but after they were given a coat of oil-rubbed
bronze spray paint, I think they don't look too bad. The two upstairs fireplaces were painted
white.
Here is the rest of the living room.
The
rug is actually a quarter-scale rug meant to be worked on 48-count
gauze, but I worked it on 28-count Evenweave, and it's not bad in the space.
Most
of the furniture is from the Eastlake collection
by Mini-Etchers. Most of the upholstery came from men's ties,
with the exception of the (blue) printed petit point chair.
The
exceptions are the coffee table, which kit came from Melissa's Mini Wereld, and the curio
cabinet, which is from the Greenleaf living room set. On the coffee table are a candy dish, a
silver teapot, and, of course, a half-scale Godey's
Ladies Book. I have filled the curio
cabinet with the kind of items Victorians liked to collect—an egg made from
polymer clay, butterflies under cloche domes made from gel caps, a bird's nest
that is actually a charm with painted eggs, shells, and real crystals. The door isn't actually hinged; it just
attaches with museum wax, to hold it in place but allow me to remove it when I
want to change something out.
The
bird cage is the same kind of charm I used in the
little greenhouse; they came two to an order.
I had to poke my paintbrush through the bars to paint the bird, then
painted the outside cage.
In
this room, I kind of feel like I might be able to do better on the
furniture. Now that I've made my own
tables and chairs, I'm considering replacing some of the furniture in this room
with something I make myself.
Upstairs,
the bedroom (which I think of as the Rose Room) has the Mini-Etchers Victorian bed and a night stand
from Melissa's Mini Wereld. Once again,
the bedspread and valance are made from a man's tie. (I find them essential for miniature
upholstery.) The rug is simply printed
on velvet paper. I prefer not to
cross-stitch rugs for my bedrooms, because it's a lot of work for something
that gets mostly covered up by furniture.
I added a non-working Reuter porcelain lamp, a crocheted throw and
pillows, and some boots made from charms.
It's annoying, but I can't find these charms anywhere now. I got them at a swap meet in Arizona—five
charms for a dollar. I think they're
riding boots, but I painted them and added black microbeads for buttons. As you know, I have a thing for shoes in a
build, and these make such perfect half-scale, high-button boots.
Along
the back wall is the Victorian armoire
kit
from Scale Designs, with a little surprise inside. I simply couldn't resist. 😉
On
the right-hand side is a fireplace in white, along with the mirrored Eastlake dresser
kit
from Mini Etchers.
The
upstairs fireplace inserts are an ornate gold metal scrapbooking embellishment/frame
cut in half (one half for each fireplace) and spray-painted oil-rubbed
bronze. I swiped this idea from someone
else's blog, but I cannot remember whose.
I could have sworn it was Emily's, but I don't see it there. I'm sorry I can't give attribution, because I
love the elegance of the inserts. The
fire screens were plain metal minis that I painted.
Rather
than have two bedrooms, I turned the second upstairs room into a lady's sitting
room.
The
day bed from SDK Miniatures
is a very nice day bed, but I think it is too large for the room and doesn't
really go. It is one of the things I'd
like to replace. The table next to it
was a white plastic table from AlphaStamps.
I gave it a coat of gloss white spray paint, then picked out details in
gold to give it a more elegant look.
While I also love the etagere from Karen
Benson Miniatures, I think the
pots need to be replaced with something a bit more in keeping with the rest of
the room.
The
little desk in the back of the room was made from Cassidy Creations Lady's Desk
kit (CC5022). I was lucky enough to find
one at Dollhouses, Trains and More, but you can keep an eye out on eBay. They do come up from time to time. I love the tiny pigeonholes (which were a
pain to do, but worth it), and the desk actually opens and closes.
The
sitting room rug pattern came from the
Internet. The wonderful thing about
making your own rugs is that you can choose the colors. I went to Joann's with my wallpaper (Brodnax
Papillon in peach) in order to match the
colors as closely as possible.
Now
here is my secret shame—the bathroom. It
has a tub from
Mini-Etchers,
a pedestal sink from
Cassidy Creations,
a high-tank toilet from a set of minis I picked up at a miniature show, and nothing else. No curtains, no rugs, no mirror, no
toiletries. I really do need to go back
and finish this room!
On
the third floor is the attic. Some
people partition their attics to make more rooms, but I chose to go with a true
attic. I had wanted some old, worn-out furniture
up here, but there is no room! Part of
the attic is filled with toys, collected from a variety of sources. The train set is by SDK Miniatures. The doll carriage is from Karen
Benson. The Alice in Wonderland doll and the mold for the baby doll head both came from Margaret's Mini Bears. You may recognize the toy xylophone; the
popper push toy and Raggedy Ann doll are also from swaps.
The
sweet little bookshelf, which fits so perfectly in the space next to the
chimney, I received in a swap, along with the doll bed and toy trucks. The bookshelf is filled with some adorable toys from
A Trifle Small,
a few Peruvian ceramic beads, and, of course, some readable children's books,
including a Kate Greenaway Mother Goose.
The
maid's room, with a simple iron bedstead, a washstand, and a chest of drawers,
is on the left. I want to do the
washstand over—it did not turn out as well as I'd hoped. It looks a little chunky. I also need to paint the little chest of
drawers. See what I mean about so many
unfinished projects?
For
me, an attic would not be complete without a trunk, so I made up the Cat's Paw Small
Jenny Lind trunk (1:24 scale) (which, unfortunately, seems to be out of
stock everywhere). Everything came with
it, including the tiny hardware and the lining paper.
The
final room is the tower room. Did I say
the kitchen was my favorite room?
Hmm. Maybe it's the tower room
instead. 😊
Because there is no access to the tower room, I felt it had to be
somewhat magical, so I made it into a sorcerer's room with a bit of steampunk
thrown in. (Hey, if you can get to Narnia through the bedroom wardrobe. . . .)
For
Doctor Who fans, do you recognize what's on the wallpaper?
I
can't remember who made the kit for the desk.
The chair is a spare Victorian chair from Mini-Etchers, with some copper
paint, black upholstery and watch parts.
(It was supposed to have wheels, but they kept falling off, and I
finally gave up on them.) I added a
small table with a watch face for the top; a potion bottle; tiny steampunk
books (with Latin titles, of course); a telescope made from a miniature spy
glass, toothpicks and watch parts; and Phineas T. Corvis, the steampunk crow.
I
love his little monocle and top hat with feather trim, both made from watch
parts.
The
front porch has a floor made from coffee stirrers and a porch swing. I have always loved porch swings; I couldn't
build a front porch without one.
Upstairs
on the balcony are the round table and
chairs from Alpha Stamps. They aren't truly wrought iron, but they are a good size for the space.
The
beautiful railings are Duval by Heritage
Laser Works. The fish-scale siding is made from the chipboard shingles
from Alpha Stamps. As with the
other siding, I painted them both before and after gluing them in place.
The
color scheme is based, in part, on a very well-known
apartment building at 400 Duboce in San Francisco. I used to live about a block away from
it. I've seen it many colors over the
years, including mustard yellow and bright purple, but I think its current
color scheme is a lot more sophisticated.
So
I guess my next project may be revisiting this
house. Part of the reason I never quite
finished it was that I was so anxious to get started on the half-scale Merrimack. Now that
is a house I truly loved doing. But before that one, I'm going to tell you about the half-scale porch I made for my mom.